Since the end of the 1980s, exploring the aural dimension of cinematic language has opened a new field of film scholarship. One of the leading figures in this adventure is Michel Chion, a music composer and theoretician, who studies cinematic language with a focus in the auditory realm and the audio-visual relationships. Although sometimes Chion [...]
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In order to understand the conventions of film music, either from the silent or the sound era (including the silent-to-sound transitional period of 1926-1936), it is useful to look at the theatrical and dramatic practices of the 18th and 19th century. Studying the music and staging conventions of Melodrama, for instance, help us to answer [...] Although the practice of building a film music score by selecting a number of pre-recorded songs has been well established since the 1970s, this method of “composing” was limited to specific genres, styles, and particular periods of time. It was not until the 1990s that the “compilation score” became a practice in which the directors [...] Directed and written by Jacques Tati, and produced by Jolly Film and Specta Films, Play Time was released in France in 1967 after three long years of expensive production and postproduction processes. The expenses of the movie were so huge and its reception so poor, that both producers and director went bankrupt. Even worst, Tati [...] Waiting in lines is one of the cultural practices of the attendees to the SXSW festival. Tonight we did again a very long line around the Ritz Theater in oder to enter the screening of a movie and we couldn’t get in. Yesterday we had the same result. We keep missing the opportunity of watching [...] Grotesque, Gothic, and bizarre, are some of the adjectives that commonly describe the films directed by Tim Burton. Although their stories are often simple, Burton’s films have unique visual and aural styles that complement the lack of narrative complexity and captivate the audience with their rich symbolism and energy. On the one hand, their visual [...] As a researcher interested in the aural dimension of culture and everyday life, I feel engaged with the scholarly conversation on sound studies that is presented in Cinema Journal In Focus Issue 48.1. Several times during my academic journey, I have asked myself similar questions and confront similar problems to the ones that Coates, Friz, [...] |
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