Honk! Community Marching Bands Festival in ATX

When musicians march in the streets people is happy. Or at least that is what I like to think. I love parades. Walking, marching, dancing in public space is a sort of happiness. A collective performance that usually happens during carnivals. It could also happens during especial national or patriotic celebrations. Today, I joined [...]

Youth Cultures, Youth-Made Media, and Mainstream Media: A Brief History of Inextricable Relationships (Part 1).

The relationships between youth-made media and youth cultures and between youth-made media and mainstream media are diverse and inextricable. All of them occur inside the complex sociocultural and economical system of late capitalist and post-industrial societies. The relationships are historically and geographically specific, and have been in constant flux and transition during the second [...]

Grrrrrrrl Thang Zine

Following the traces of the youth grassroots media production in Austin has been exciting. It is nice and intellectually challenging to discover new worlds. As I decided to pursue the project of documenting some of the practices of the local youth (sub) cultural scene, I have been talking to some of the baristas in [...]

Sound, Space and Symmetry

Have you ever been in a concert where the pieces are played twice? Have you ever been in a museum which galleries have been turned into performance stages? Have you ever listened to the sound of 80 trombones arranged across two floors? Today’s concert at the Blanton Museum, entitled “Space and Symmetry” was such [...]

Austin Samba School or The Acadêmicos da Ópera

I am back to school. Since two weeks ago I have started to participate in the Austin Samba School weekly meetings at a gymnasium located in the campus of a former Texas Insane Asylum now transformed into a State Hospital. The school is also known as The Acadêmicos da Ópera. It is a vibrant [...]

Cinematic Language and Aural Imaginaries

Since the end of the 1980s, exploring the aural dimension of cinematic language has opened a new field of film scholarship. One of the leading figures in this adventure is Michel Chion, a music composer and theoretician, who studies cinematic language with a focus in the auditory realm and the audio-visual relationships. Although sometimes Chion [...]

Melodrama, Cinema, and the Mechanization of Emotions

In order to understand the conventions of film music, either from the silent or the sound era (including the silent-to-sound transitional period of 1926-1936), it is useful to look at the theatrical and dramatic practices of the 18th and 19th century. Studying the music and staging conventions of Melodrama, for instance, help us to answer [...]