Memory, Digital Media, and Peace-building in Colombia: The Projects of the Alfabetizaciones Digitales Initiative

In recent years, building a historical memory that is plural and inclusive has become one of the main strategies for finishing the long armed conflict in Colombia. Peace building endeavors have tried to promote a new narrative of the conflict that brings the victims of war to the foreground, makes visible their stories, dignifies them, and fosters their rights.

Red de Gestores de Memoria Virtual – http://www.centrodememoriahistorica.gov.co/alfabetizaciones/red-gestores/

Among these efforts is the Alfabetizaciones Digitales initiative, from the Centro Nacional de Memoria Historica (National Center of Historical Memory, NCHM), which has supported local grassroots organizations across the country in the use of digital media tools for storytelling and online publishing.

Video interviews of “alabadoras” (Afro-Colombian women singers) from Pogue, Chocó, explaining the meaning of “alabaos” or funeral songs; short essays written by women from Caquetá narrating their stories of displacement; photographs from a community museum created by the survivors of a massacre in Granada, Antioquia; and hip hop music videos from youth advocating for peace in Buenaventura, Valle del Cauca, are examples of the digital media texts that victims of the armed conflict have been creating and publishing on the Internet with the support of the Alfabetizaciones Digitales initiative. As Lucely Rivas, an afro-colombian displaced woman member of the Memorias del Rio Atrato project, told me during an interview,

“I think the website and the content we publish on the Internet makes memory. We have made memory with our videos and stories.”

The stories and digital creative expressions made by the victims are significant contributions to the collective effort of creating a historical memory of the Colombian war that is plural and inclusive, and contributes to the peacebuilding process.

Listening to the Victims of War

Since the 2000s, and parallel to the negotiations with guerillas and paramilitaries, the Colombian government has actively promoted building historical memory and tried to give a voice to the victims of war. This is part of a larger effort to implement justice, encourage reconciliation, and create a national dialogue on the rights to truth. In this particular context, the work of local grassroots organizations that support the victims through cultural and community activities has become more relevant. For several years, these organizations have helped minorities and marginalized populations affected by violence to be resilient, build community, and articulate their voices.

According to Mariana Posada Moreno, for instance, the Salón del Nunca Más project leaded by ASOVIDA (Asociación de Víctimas Unidad de Granada) since 2008, has helped the community of in Granada, Antioquia, to find hope and come togegher as a unity. She says,

“The purpose of this place (Salón del Nunca Más) is to raise awareness and show to anyone who arrives there, by means of art works, photographs, personal logs, and stories, that the victims of this country are not just a number for the State.”

The creation of the Colombian Law of Justice and Peace in 2005 and the Law of Victims and Land Restitution in 2011, directly addressed the need for placing the victims rights and their narratives at the center of the peace building process, and emphasized the state duty of remembering the violations committed during the armed conflict. Besides recognizing several victims’ rights and emphasizing the need for reparations, the Law of Victims and Land Restitution created the National Center of Historical Memory (NCHM), an independent institution in charge of building a historical account of the conflict.

The NCHM has become a key institution for promoting the construction of historical memory in Colombia through research and applied activities that help to reconstruct the long and convoluted history of the armed conflict. The center has created several publications based on thousands of victim testimonies and analysis of the war’s origins, including “¡Basta ya! Colombia: Memorias de guerra y dignidad (2013)” (Enough Already! Colombia: Memories of War and Dignity), the most ample report on the state of the war in Colombia to the day.

By actively supporting the participation of the victimized population on the peace process and on the construction of a plural and inclusive historical memory, the NCHM has contributed to dignify and make visible the experiences of the victims of war, and to support the exercise of the right to truth, justice, and assurances of no-repetition. Alfabetizaciones Digitales is precisely one of the initiatives that emerged from the NCHM in 2013, which has helped local community organizations to amplify their voice by using digital tools and networks.

The Alfabetizaciones Digitales Initiative

Alfabetizaciones Digitales was created in response to the need of highlighting the work that grassroot organizations were already creating across the Colombian territory. Concerned about making their voices heard by a national audience and participating in the construction of historical memory, members of these organizations expressed their interest in experimenting with the use of new media technologies and the Internet for storytelling. As Salomón Echavarría, the coordinator of the initiative, told me during an interview,

“The initiative responds to the interest of community members of reaching a wider audience and circulating their stories broadly. We provide training and technical support for the development of digital languages, and facilitate workshops in digital storytelling that are adaptable to the needs and resources of local organizations and communities.”

In total, 16 projects have been created across the Colombian territory with the support of Alfabetizaciones Digitales since 2013. The projects are leaded by members of grassroots organizations doing memory and community work like the Salón del Nunca Más in Granada, the ATCC (Asociación de Trabajadores Campesinos del Carare), Vida y Paz in Carare, or Fundescodes in Buenaventura. Other times the projects are created through a collaboration between several organizations located in a particular region such as as Memorias del Rio Atrato that includes eight grassroots social organizations and community councils from Choco and Antioquia.

Furthermore, Alfabetizaciones Digitales has also fostered the building of a network of local digital media producers distributed through the different country regions. The youths and adults that participate in the workshops become part of a network of virtual managers of memory (gestores virtuales de memoria) that shares knowledge and offers mutual support. These virtual managers are in charge of leading the different projects, coordinating the production of multimedia content, and maintaining the websites. Moreover, they have access to a collaborative virtual platform where they share tutorials, tips, and can discuss different issues related to their local projects and digital media production.

Building a Visible and Peaceful Country

According to a recent manifesto that the virtual managers of memory published on the NCMH website, they are

[…] a network of voices… and also a group that has eyes, ears, and microphones across the country,…the voices of memory in favor of building a new visible and peaceful country.

As virtual managers produce and publish stories online, they articulate identities, raise voices, and make visible their territories and populations. Such communication process allows marginalized communities and victims of war to narrate the world in their own terms, to document the cultural practices they do, and to actively participate in the construction of historical memory in Colombia.

The multimedia content produced and published online by the virtual managers reveals the potential of using digital tools and networks for making memory in Colombia. The Alfabetizaciones Digitales initiative is an opportunity to connect with the voices and perspectives of Colombian citizens who – although trapped in the middle of a war between armies – have resisted violence and become resilient. Their stories show us a glimpse of their everyday lives, their territories, their dramas, and festivities. Their narratives help to create a more plural consciousness of the past in Colombia, and contribute to build peace in the present and the future.

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